Can You Take A 2 Year Old To Movie Theater Biography of Everett Freeman

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Biography of Everett Freeman

Everett Freeman was born on February 2, 1911 in New York, New York. His contribution to books, films, radio and television shows spanned more than 50 years.

Freeman was involved in writing and producing radio drama and comedy in the 1930s when he produced and wrote for hit shows such as Baby Snooks. During that time Hollywood understood one of its stories, 1,000 Dollars a Minute, and it was made into a film in 1935 starring Roger Pryor and Leila Hyams. This certainly opened doors for Everett as he was asked to co-write the screenplay for Married Before Breakfast in 1937 and The Hunter in 1938.

Around this time, Everett’s brother Devery thought he would also try his hand at writing. Soon, their careers were to follow very similar and intertwining paths on the Hollywood scene. The only difference was Everett’s production background meant that, as well as prolific writing, he occasionally produced television shows and films. Devery, on the other hand, was content to stick to writing alone. Both brothers proved to be successful and in-demand Hollywood property.

As well as coming up with original stories of his own, Everett Freeman was often given the task of writing the screenplay based on an established story. Being a screenwriter is never an easy job, especially if the original author is still alive and worst is still the main star of the show. So it was, in 1939, when Freeman was asked to write the screenplay for the film You Can’t Fool an Honest Man starring and written by WC Fields. It helped that Fields was a childhood hero to Everett. His respect for the man helped him through a difficult production where WC Fields would keep changing the plot to the point where the film was very nearly scrapped.

World War II demanded that all Americans do their bit for the war effort. Warner Brothers decided to make the fundraising film Thank Your Lucky Stars, locking in as many stars as they could find in cameo roles. Everett Freeman was asked to write the plot which was allegedly about a nobody (Eddie Cantor) who used to replace the celebrity Eddie Cantor and a whole load of would-be stars crashing an all-star magazine in the hope that they would get noticed. . The irony of the story, or course, was that the performers were already stars. Freeman didn’t have his work cut out because the plot was incidental to the real goal, which was to parade stars like Cantor, Humphrey Bogart, Errol Flynn, Bette Davis to raise as much money as possible for the war effort. All the performers and backroom staff, including Everett Freeman, gave up their pay for this cause and the project raised over $2M.

Freeman continued to write films, including Theft, Inc in 1942, starring Edward G. Robinson and that of Bob Hope The Princess and the Pirate in 1944. He was also one of 36 writers, one of whom was his brother Devery, who contributed to Ziegfeld Follies in 1946. Then things were turned like two books, Cleopatra Arms and Miss Grant Takes Richmondboth written by Everett and Devery were the subject of films for 1949 films Kiss in the Dark starring David Niven and Miss Grant Takes Richmond, starring Lucille Ball. Both of these stories were about rich people giving out their money to help the poor through the good example of others.

The year 1951 marked another milestone in Everett Freeman’s career when he produced his first film and had one of his stories turned into another film. Jim Thorpe — All-American was the film he produced (and co-wrote the screenplay for). Then the movie Too Young to Kiss was published, based on a story written by Everett alone. It was about Cynthia, a 22-year-old talented pianist who, determined to be noticed, takes part in a children’s piano competition. Everything is going well – too well in fact. She wins the competition and a New York agent decides to sign her for a 5-year deal and book the prodigy on a New Symphony Hall concert. Cynthia’s dilemma is made worse when she falls in love with the agent. The film starred June Allyson. A year later, another of Everett Freeman’s stories, a biography of swimmer Annette Kellerman, was published. Just like he had a fictional heroine in Too Young to Kiss, this time he told the story of real-life heroine Kellerman. The film that resulted was Million Dollar Siren starring Esther Williams. This was followed in 1957 by another film from an original Everett Freeman story, kelly and me.

In the mid-1950s, Freeman became interested in television. In its early days, television was a mere novelty to artists and writers alike. Its audiences were small and the production techniques were limited. By the early to mid-50s, improved technology and mass-produced television receivers made the medium more attractive as audiences proliferated. Freeman already had a lot of production experience in radio and was as experienced as anyone on a film set. He used these talents and hit the ground running with his debut as a television producer with Single Fathersituation comedy starring John Forsythe.

This was the beginning of a 10-year period when most of Freeman’s work was for television. Among the shows that he produced were Schlitz Playhouse of Stars, for which he also wrote. He also wrote scripts for other shows such as General Electric Theatre. He returned to the cinema in 1966 when he wrote the script for Doris Day and Rod Taylor in The Glass Bottom Boat. He worked with Doris Day again as a co-screenwriter for Where Were You When The Lights Went Out?, which he also produced. Now established as a producer and screenwriter, he saw out the decade with The Maltese Bippy (a Rowan & Martin film that Freeman wrote) and How Do I Love You? The final film he is credited with is ZigZaga rarity in that it was not of the comedy genre that was always his specialty.

Everett Freeman retired from show business in 1970, after spending 40 years at the top of his profession. He lived in Westwood, California until his death from kidney failure on January 27, 1991, aged 79.

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