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Portuguse Fado Music and American Jazz Saxophone – Is There a Connection? Oh Yeah
Fado music reveals the heart and soul of Portugal
Fado is a style of music that originated in Portugal at the beginning of the 19th century. Influences possibly came from the Moors, Arabia and Africa, all of which the Portuguese had contact with. The Moors were Muslims from North Africa who occupied Portugal and Spain from the 700s to the 1500s. They were eventually driven out by the Crusaders but left great influences on food, cooking, architecture and music.
Many North Americans have never heard of fado, not surprisingly since it is not played on your local commercial radio station. Those who have met and had the opportunity to listen to him usually fall in love with him. Musically, it is very pleasing to the ears and follows a predictable musical pattern. I think it has similarities to the Blues in America. Not so much the harmonic chord progression of 1, 1V, V on which the blues is based, but the way the music itself came about and what it means and represents to its people and its country today. The lyrical content of Fado is usually about longing, lost love, hardships, the same things that a blues song is usually about. Sonically it sounds very different.
I hated this music as a kid! Sitting in the back seat of my parents car, forced to listen to it, not understanding the lyrics, and it sounded so strange next to the pop radio stations I used to listen to in my day. I avoided it when I could and basically forgot about it as I got older.
One day, in my 20s and out and about on sax, I heard a recording of Portuguese jazz saxophonist Rao Kyao playing fado music on his sax, no singing, just beautiful melodies played on a tenor. This put it in a whole new light for me. I guess I started hearing it differently as it was a sax player talking to me instead of an old Portuguese singer singing about things I couldn’t understand, although I could understand this… Listen to Rao Kyao
The typical instrumentation is 2 Portuguese guitars which in Portuguese are called guitara and 2 regular acoustic guitars with nylon strings which the Portuguese call viola.
The biggest star of fado was Amalia Rodrigues who died a few years ago but was active for most of the second half of the 20th century. She was known and appreciated internationally and brought Portugal’s fado to the world. There have been plays and movies written about her….
He also brought one of America’s great tenor saxophonists into the studio with his group to lay down some sax on a few tracks. Don Byas was a contemporary of Coleman Hawkins and Lester Young, the great saxophonists of the early years of jazz swing in America around 1940. But Byas moved to Europe, living in France, Holland and Denmark in the mid-1940s and remained there for the rest. of his life Fortunately, being in Portugal for a brief moment he was summoned to a studio session with the great Amalia and thus history was made with one of the greatest American jazz tenor saxophonists together with the greatest Portuguese fado singer.
If you’ve never heard fado music, do yourself a favor and check it out!
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